ROBERT SCOTT THOMPSON
AMBIENT
ELECTROACOUSTIC
ELECTRONIC
AVANT—GARDE
EXPERIMENTAL
Influences as diverse as Chopin and Satie, Stockhausen, Varèse and Cage, and Bowie and Eno can be heard in Robert’s music. Robert’s first love is the synthesizer, but he is also an expressive vocalist, instrumentalist, video artist, computer musician, sound designer, and film composer.
Thompson is a composer of both instrumental and electroacoustic music and is Professor Emeritus of Music Composition. He earned the B.Mus. degree from the University of Oregon and M.A. and Ph.D. degrees from the University of California at San Diego (UCSD). His primary teachers include Bernard Rands, Roger Reynolds, Joji Yuasa, and F. Richard Moore.
He has created work in a wide variety of forms ranging from chamber and orchestral music to works for the virtuoso soloist, electroacoustic music, and video and performance art. He is the recipient of several prizes and distinctions for his music including the First Prize in the 2003 Musica Nova Competition (Czech Republic), the First Prize in the 2001 Pierre Schaeffer Competition (Italy) and awards in the XVI Concorso Internazionale “Luigi Russolo” (Italy), Irino Prize Foundation Competition for Chamber Music (Japan), and Concours International de Musique Electroacoustique de Bourges (France) — including the Commande Commission 2007 — among others.
He was a Research Assistant of the Center for Music Experiment (CME) Computer Audio Research Lab (CARL) during the 1980s, assisting significant composers in the realization of advanced computer music works. In 1991, he was named a Fulbright Fellow and Research Scholar by the Council for the International Exchange of Scholars (CIES) and was Composer in Residence at the Danish Institute of Electroacoustic Music (DIEM) where he conducted fundamental research in computer music and composed the long-form acousmatic work – The Strong Eye. In 2007, he was Composer in Residence at the Institut International de Musique Electroacoustique (France, 2007) composing the IMEB Commande Commission. The result of his residency at IMEB is the electroacoustic recording Ghost Words, among other works.
Over the years, RST has become increasingly well known internationally for his instrumental and electroacoustic works, often commissioned by prestigious organizations, ensembles, and instrumentalists, and also for his many recordings which have been broadcast worldwide. His work has been presented in numerous important festivals such as the Koriyama Bienalle (Japan), Sound (Scotland), Presences (France), Synthèse (France), Sonorities (Northern Ireland), ICMC, SEAMUS and the Cabrillo Music Festival (California), and has been broadcast on Radio France, BBC, NHK, ABC, WDR, NPR and numerous other networks around the world. His music is published on recordings by EMF Media, Neuma, Drimala, Capstone, Hypnos, Oasis/Mirage, Groove, Lens, Space for Music, Zero Music, Twelfth Root, Relaxed Machinery and Aucourant record labels (among others), and in print by American Composers Edition (American Composers Alliance, New York).
LATEST RELEASE
— Aristodemos Pierides
— Darren Bergstein
— The Organization of Sound
— Sebastian Winston
The new album arrived yesterday, and those nasty mosquitoes that jabbered in my dreams about evil bees in cheese have vanished. The Pukka, ladies and gentlemen, has delivered another balm wrapped in an ambient calm.
RST’s music swoops upon those who bare their mazard to listen. Those last movements break upon the imagination like dream typhoons splashed by multi-colored orisons from distant galaxies.
— Rabelais

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